You might not have heard of the artist, Hokusai (1740-1849), but you might recognize the image of his most famous woodblock print, “The Great Wave Off Kanagawa”, which is perhaps one of the best recognized icons of Japanese art work.
What does a Hokusai print have in common with bonsai? Apparently none! Bonsai was called hachinoki at his time, so he probably had never even heard of the word, bonsai. Yet, when I saw two bonsai displays, one in last year’s Artisans Cup, and the other in the recent 5th US National Bonsai Exhibition, Hokusai popped up in my mind.
This is Creighton Bostrom’s Finest Creative Award display at the 5th US National show. The semi-cascade Juniperus procumbens nana, planted in a “kurama” pot, is positioned precariously within a giant laminated wooden wave.
Some people saw a bonsai tree, some saw a giant woodwork. What I saw reminded me of Hokusai’s Great Wave. I do not know what Creighton Bostrom tried to convey in this display. May be it’s a tribute to Hokusai because artist often pays homage to old masters by creating similar piece in his/her own medium, in this case, using bonsai display as a medium. May be he was inspired by the 2011 devastating tsunami in Japan? Many of us know, Isao Omachi, one of the young Japanese bonsai masters, lost all of his bonsai in the tsunami, literally they were swept away by the Great Wave. May be, and most likely, none of the above. Continue reading